Miss Emma Lane, Attributed to J. Reynolds 1
1 von 13 Bildern

Joshua Reynolds
Miss Emma Lane, Attributed to J. Reynolds

Circa: 1775

Beschreibung

Diese Artikelbeschreibung wurde ursprünglich in englischer Sprache geschrieben.
An original oil on canvas attributed to / studio of English artist Joshua Reynolds (1723-1792) titled "Miss Emma Lane", c. 1775. No signature found however label on verso reads "Miss Emma Lane - Portrait of Miss Emma Lane ... (illegible) ... by J. W. Reynolds". (See picture). Provenance: Lillian Goldsmith, River House Antiques, Pittsburgh, PA. Canvas has been relined, heavy in painting throughout, accretions and some craquelure. Minor scuffs and losses to antique frame. Framed size: 34.5" x 41.5". Canvas size: 29" x 36.5". In very good condition. Joshua Reynolds was born on July 16, 1723, at Plympton, Devon, the third son and seventh child of the Reverend Samuel Reynolds, master of the Plympton Grammar School and sometime fellow of Balliol College, Oxford. Joshua was enabled by education, ability, and inclination to move all his adult life with ease and distinction in literary and learned circles. A vocation for art was confirmed by reading as a boy Jonathan Richardson's Essay on the Theory of Painting (1715), with its program for restoring portraiture to the dignity of high art, and at the age of 17 Joshua was apprenticed to Richardson's son-in-law, Thomas Hudson, in London. Reynolds set up on his own in 1743 and practiced in Plympton and London. His work of this period shows the influence of Anthony Van Dyck and the innovations introduced by William Hogarth, then at the height of his powers. In 1749 Reynolds sailed for Italy as the guest of Commodore Augustus Keppel. In Rome, Reynolds studied the Old Masters with a single-mindedness unmatched by any earlier English painter. His only diversion was a small number of caricature paintings in the manner of his fellow Devonian Thomas Patch. Raphael was Reynolds's hero, but on his way back to England he visited northern Italy and came under the spell of the Venetian painters and Correggio. Reynolds settled in London in 1753 and established his reputation as the foremost portrait painter with Captain the Hon. Augustus Keppel (1753-1754), the first of a long series of portraits ennobled by a borrowed pose, here taken from the Apollo Belvedere. He used borrowed attitudes in two ways: as a mode of elevation and as a species of wit. As Horace Walpole noted, both usages are controlled by intellect and taste, manifested in the aptness of his application to the sitter's character, achievement, or role in society. After his election as foundation president of the Royal Academy in 1768 until his death in London on Feb. 23, 1792, Reynolds's life was too closely intertwined with the artistic, literary, and social history of his time for a summary to be adequate. A small group of portraits of men of genius with whom he was intimate, headed by Dr. Johnson, is unique in European art in that each is accompanied by a written character sketch which is a masterpiece of psychological assessment. Reynolds delivered 15 discourses to the members and students of the Royal Academy between 1769 and 1790. They upheld the ideal theory in art and constituted the classic formulation of academic doctrine after more than 2 centuries of debate. Reynolds's main types of portraiture commemorate naval and military heroes, civil and ecclesiastical dignitaries, the English landowning oligarchy in both its public and private aspects, actors and actresses, and children in fanciful roles, related in their vein of sentiment to "fancy pictures" like the Age of Innocence (1788). His most ambitious translation of a subject picture into a portrait is the group of the daughters of Sir William Montgomery, the Graces Adorning a Term of Hymen (1774), a Miltonian bridal masque in which the rite of worship to the God of Wedlock is performed by three famous beauties, one recently married, another preparing for marriage, and the third still to be betrothed. Among the finest of his heroicized military portraits in a battle setting are Colonel Banastre Tarleton (1782) and George Augustus Eliott, Lord Heathfield (1788). A visit to Flanders and Holland in 1781 renewed Reynolds's enthusiasm for Peter Paul Rubens and was followed by a decade of prodigious creative energy. To this final phase belong most of Reynolds's history paintings, including those commissioned for John Boydell's Shakespeare Gallery and the Infant Hercules (1788), commissioned by the Empress of Russia. Sarah Siddons as the Tragic Muse (1784) shows the actress flanked by emblems of Open and Secret Murder and assembles motives borrowed from Michelangelo, with whose name he closed his last discourse. As the foundation president of the Royal Academy, Reynolds guided its destinies in its momentous first phase, devoting his immense influence to the single goal of forming a national school of history painters choosing their exalted themes not only from the Bible and classical antiquity but also from Shakespeare and the national past. Courteous, affable, and open to new ideas, he steered a liberal and tactful course and stamped a character of devotion to high art on the institution that lasted into the age of J. M. W. Turner and even beyond.

Details

  • Künstler
    Joshua Reynolds (1723-1792, British)
  • Herstellungsjahr
    Circa: 1775
  • Material
  • Kunstbewegung & Stil
  • Zustand
    Good
  • Zeitraum
    1770-1779
  • Abmessungen
    H 34.5 in. x W 41.5 in. x D 3 in.H 87.63 cm x W 105.41 cm x D 7.62 cm
  • Galerie-Standort
    Saint Augustine, FL
  • Referenznummer
    LU12121468943
Käuferschutz garantiert
Unser Versprechen an Sie: Falls Sie nicht glücklich sind, wie ein Artikel angekommen ist, arbeiten wir mit Ihnen und dem Verkäufer, um zu einer optimalen Lösung zu kommen. Mehr erfahren

Versand, Retouren & Zahlung

  • Versand
    Preise variieren je nach Ziel und Komplexität
    Versandmethoden basieren auf der Artikelgröße, Typ, Zerbrechlichkeit und spezifischen Eigenschaften.
    Versandkosten basieren auf den Lieferantenkosten, Lieferentfernung und Komplexität der Verpackung.
  • Rückgaberichtlinie

    Der Artikel kann innerhalb von 3 Tagen ab Lieferung zurückgeschickt werden.

    Detailansicht
  • Online-Zahlungsmethoden
    1stdibs akzeptiert die folgenden Zahlungsarten

Über den Verkäufer

5 / 5
Geprüft
Platin
Verkäufer bei 1stdibs seit 2015
Standort: Saint Augustine, FL
Mehr von diesem Verkäufer
Cornelia, Lady Cockburn and her Children
Cornelia, Lady Cockburn and her Children
Joshua Reynolds
Ende des 19. Jahrhunderts, Viktorianisch, Portraitdrucke
Lithographie
Eine Original-Lithographie nach Sir Joshua Reynolds Gemälde. Diese Lithographie wurde von dem englischen Künstler EH Mitchell mit dem Titel "Cornelia, Lady Cockburn und ihre Kin...
Elvis Presley Icon IV
Elvis Presley Icon IV
Jack Graves III
-2010, Zeitgenössisch, Portraitgemälde
Leinwand, Acryl
An original signed acrylic on canvas painting by American artist Jack Graves (1988-) titled "Elvis Presley Icon IV", 2018. Hand signed, titled, and dated by Graves on verso. The canv...
Elvis Presley Icon V
Elvis Presley Icon V
Jack Graves III
-2010, Zeitgenössisch, Portraitgemälde
Leinwand, Acryl
An original signed acrylic on canvas painting by American artist Jack Graves (1988-) titled "Elvis Presley Icon V", 2019. Hand signed, titled, and dated by Graves on verso. The canva...
Jacqueline Kennedy Onassis Icon
Jacqueline Kennedy Onassis Icon
Jack Graves III
-2010, Zeitgenössisch, Portraitgemälde
Leinwand, Acryl
Original signiertes Acryl auf Leinwand-Gemälde des amerikanischen Künstlers Jack Graves (1988-) mit dem Titel "Jacqueline Kennedy Onassis Icon", 2018. Handschriftlich signiert, betit...
Vielleicht gefällt Ihnen auch
Giovanni Antonio Pellegrini (Venice 1675 - 1741) - "Saint Joseph". 18th century.
Giovanni Antonio Pellegrini (Venice 1675 - 1741...
Giovanni Antonio Pellegrini
Mittleres 18. Jahrhundert, Rokoko, Figurative Gemälde
Leinwand, Öl
Giovanni Antonio Pellegrini (Venedig 1675 - Venedig 1741) - "Saint Joseph". 71 x 60,5 cm ohne Rahmen, 89,5 x 78 cm mit Rahmen. Öl auf Leinwand, in geschnitztem und vergoldetem Holz...
San Girolamo Miani
San Girolamo Miani
Giovanni Battista Piazzetta
1760er, Rokoko, Portraitgemälde
Leinwand, Öl
Piazzettas Halbfiguren von Heiligen gehören zu seinen denkwürdigsten Werken. Sie bewegen sofort andächtige Bilder und sondierende Charakterstudien, die eine Vielzahl physischer Typen...
Oil on Canvas Painting Three Young Ladies Portrait in a Garden Landscape
Oil on Canvas Painting Three Young Ladies Portr...
Violante Beatrice Siries Cerroti
Mittleres 18. Jahrhundert, Rokoko, Portraitgemälde
Leinwand, Öl
Diese entzückende Florentiner Schule aus dem späten 18. Jahrhundert zeigt drei anmutige junge Frauen, die im Freien spielen und singen. Das Gemälde wird dem berühmten Florentiner Mal...
Diane et Callisto - 18th Century Rococo, Mythology-Workshop of François Boucher
Diane et Callisto - 18th Century Rococo, Mythol...
Unknown
18. Jahrhundert, Rokoko, Figurative Gemälde
Leinwand, Öl
Ein großartiges Öl auf Leinwand aus dem 18. Jahrhundert aus der Werkstatt des außergewöhnlichen Künstlers François Boucher. Ein kompliziertes und detailliertes Stück, das die römisch...
Portrait miniature after Boucher's portrait of Madame de Pompadour
Portrait miniature after Boucher's portrait of ...
School of Francois Boucher (18th century)
Spätes 18. Jahrhundert, Rokoko, Portraitgemälde
Silber, Öl
Diese schöne, antike Porträtminiatur wurde nach Bouchers berühmtem Gemälde von Madame de Pompadour, der hochgepriesenen offiziellen Geliebten König Ludwigs XV. Von Frankreich, herges...
Portrait Of Elisabeth Marguerite, The Artist's Daughter
Portrait Of Elisabeth Marguerite, The Artist's ...
Nicolas De Largilliere
17. Jahrhundert, Rokoko, Portraitgemälde
Öl
Eine größere Version dieses Werkes wurde von Sotheby's für 500.000 Dollar angeboten und befindet sich jetzt in einem Französischen Museum - Palais des Beaux-Arts de Lille. Nicolas de...
Portait of a Young Boy — French Painter
Portait of a Young Boy — French Painter
Unknown
18. Jahrhundert, Rokoko, Portraitgemälde
Leinwand
Portait eines jungen Mannes - französischer Maler 1700 circa, Öl auf Leinwand Umrahmt in einen Goldblatt-Holzrahmen derselben Periode cm 84 x 76
Aviator and Woman in a White Hat by J.C. Leyendecker
Aviator and Woman in a White Hat by J.C. Leyend...
Joseph Christian Leyendecker
Ende des 19. Jahrhunderts, Weitere Kunststile, Portraitgemälde
Leinwand, Öl
Diese seltenen Porträts wurden von dem amerikanischen Meister der Illustration gemalt, JC Leyendecker, wie Studien für Kuppenheimer Anzeigen. Mutig und energisch, sie kapseln perfekt...

Warum bei 1stdibs einkaufen?

Mehr erfahren

Nur geprüfte, professionelle Verkäufer

Käuferschutz garantiert

Voll versicherter weltweiter Versand